The library at Well Cottage by day, with a row of antique hay forks above the doorway, floor-to-ceiling bookshelves, a writing desk by the window and a vaulted beamed ceiling

The Library

A vaulted room lined with over a thousand books, a writing desk facing the garden, and instruments waiting to be played.

The library at Well Cottage in evening lamplight, floor-to-ceiling bookshelves rising to the vaulted beamed ceiling, with the writing desk and a lamp glowing by the window
A room of one's own

A thousand books, and the quiet to read them

Push open the plank door and the room rises away from you: a high, vaulted ceiling crossed by dark old beams, and walls given over almost entirely to books. There are well over a thousand of them here, on every subject you could hope for.

Shelves of Trollope and the Victorian novelists, histories and biographies, gardening and natural history, art, poetry, and a deep run of paperbacks for an afternoon that asks nothing of you. Pull one down, take the armchair by the window, and lose a few hours.

Gilt-spined hardback volumes of Anthony Trollope novels — Barchester Towers, Phineas Finn, The Warden — on the library shelves
A good run of spines

A whole shelf of Trollope in gilt-lettered cloth — Barchester Towers, Phineas Finn, The Warden — the kind of long Victorian novel you settle into for a week of evenings.

A close detail of the row of antique iron hay forks mounted along the high shelf above the library doorway
Above the door

A row of old iron hay forks lines the high shelf above the doorway, each a slightly different shape, throwing long shadows up the pale wall in the afternoon light.

Three antique Indian bronze heads in graded sizes displayed on a dark wooden chest in the library
Three bronze heads

Three bronze heads sit in graded sizes on a dark chest, faces worn smooth and softly lit — one of the small curiosities that reward a slow look around the room.

The library writing desk set beneath a deep casement window with the shutters folded back, a reading lamp and an upholstered armchair, looking out over the walled garden
The best desk in the house

Work facing the walled garden

Under the window sits a fine old writing desk, set up as a proper workspace and looking straight out over the walled garden; easily the best spot in the cottage to answer a few emails or write something longer, with fast Wi-Fi reaching every corner and a lamp for when the light goes.

We've found guests drift in here to work in the morning and stay long after they meant to leave. The desk's worn oak top catches the low sun, and the soft cream armchair beside it is just as good for reading as for thinking.

A close view along the warm oak top of the writing desk, the window and a glass terrarium catching the light at the far end
Worn oak

Along the desk's worn oak top the morning light runs to the window, where the lamp and the glass terrarium catch it at the far end — a clear, uncluttered place to set down a laptop or a notebook.

The cream upholstered armchair with a blue cushion beside the writing desk, framed estate maps of Ledwell on the wall behind
Pull up a chair

The cream armchair with its blue cushion sits beside the desk under the beams, framed estate maps of Ledwell on the wall behind — equally good for reading as for thinking.

The Morley chamber organ standing against the bookshelves, sheet music for a Song Without Words propped ready above the keys
A musical room

An organ, and instruments to hand

It is a musical room, too. A little Morley chamber organ (Johannes Morley Londini Fecit lettered in gold across the keys) stands among the books with sheet music for a Song Without Words left propped ready for anyone who plays.

Instruments are dotted about the shelves: an old keyed flute, a few odds and ends to pick up and try. Children gravitate to the organ; grown-ups linger over the music left open on the stand.

A close view of the gold-lettered keys of the Morley chamber organ, with the back of a pine chair drawn up beside it
Johannes Morley, Londini fecit

The maker's name runs in gold along the keyboard above the worn wooden keys, a pine chair drawn up close — ready for whoever sits down to try a few notes.

An antique wooden keyed flute resting on its stand against the warm timber of the organ case
An old keyed flute

An antique wooden flute rests on a stand against the warm timber, its silver keys catching the light — one of the odd instruments left about for the curious to pick up.

A close detail of the worn, honey-coloured arm of an old country pine chair with its checked cushion seat
Honeyed pine

The arm of an old country chair, honey-coloured and worn smooth by years of hands, over a soft checked cushion — the kind of seat that has clearly been sat in.

A large corked glass terrarium of moss and ferns on the library windowsill, the green of the walled garden softly out of focus beyond
Green at the window

A little garden under glass

On the windowsill a great corked jar holds a small world of its own: moss, ferns and a sprawl of spider plant, breathing against the misted glass with the real garden just beyond.

It is the kind of thing you find yourself watching while the kettle boils: condensation on the inside, hedge and lawn on the outside, and the morning light moving slowly across both.

The terrarium lit bright green from behind, ferns and spider plant glowing against the sunlit garden through the window
Backlit

Lit from behind by the garden, the ferns and spider plant glow a bright green inside the jar, the misted glass scattering the sunlight that pours through the window.

The corked terrarium jar on the pale painted windowsill, its reflection on the sill and the leaded cottage window behind
On the sill

The corked jar stands on the pale painted sill, mirrored faintly in the paintwork, the cottage window and a blur of hedge behind it — quiet company for the writing desk alongside.

A corner of the library with the plank door open to the garden, an old country pine chair, framed Ledwell prints on the picture shelf and the cream armchair by the window
A quiet corner

Part of the house, and apart from it

Throw the door open and the room runs straight out to the garden, with the lawn and the old stone barns framed in the doorway. Framed prints of Ledwell line the picture shelf, and a country chair waits in the corner for the overflow of a busy house.

It is the room people retreat to: close enough to the kitchen to hear the house, far enough off the hall to read in peace, with a chair for every mood and a thousand books between.

In this room

A room to read and work

Stay a while

Settle in with a good book

Four bedrooms, sleeps seven, less than a mile from Soho Farmhouse. Check dates and book on Airbnb.